Taken from various locations within Central Park, Paolo Pettigiani’s eye-catching images portray the Big Apple in a new light. Positioning the city’s skyline as emerging from the park’s bright raspberry treescape, Pettigiani explains, “The purpose is to highlight the majesty and the contrast of nature included in the famous Big Apple’s skyscrapers.”
Having graduated in Visual Design and Communication from the Polytechnic University of Turin, the photographer counts his other big passion as snowboarding, and spends his winters as an instructor on the slopes.
The idea for Cubes came to the Dutch artists, Lernert & Sander, when newspaper de Volkskrant commissioned them to take a photo for a food-related feature. The only guidance the newspaper gave was that the work had to be tied to food. But, “food is an overwhelming subject,” Lernert said. “You can go so many different ways. How can you photograph something when you can’t decide?” So they did the only thing that could be done: make all of the food seem equally important by cutting everything into uniform pieces, he said.
As for the rationale behind which food they chose to use for the cubes? That was determined by what they could find in local grocery stores and shops. And the foods couldn’t be processed, at least in the traditional sense. “We realized that if you cut up everything, it has this nastiness of everything becoming processed,” explained Lernert. “That’s the inside story.”
One of my photos from Venice, now featured on Fotolia.com, was used in the book, Da Capo, by Antonio Morena, Donatella Melucci, Annamaria Moneti, and Graziana Lazzarino, with the caption “Un giorno di pioggia” (A day of rain).
In 1946, Stanley Kubrick, then aged only 18, took these photographs of the New York Subway and had them published by LOOK magazine. He photographed for the magazine from 1945 to 1950.
According to Helen O’Brian, head of LOOK’s photographic department, Kubrick generated the highest number of published articles of any photographer she had worked with. At the time, Kubrick was the youngest photographer LOOK had had on its books.
Korean artist Jung Lee is showing her first exhibition in Dubai at Green Art Gallery. Lee has two series—Day and Night and Aporia, which means “coming to a dead end” in Greek.
The Aporia series was inspired by Roland Barthes’s A Lover’s Discoursem which tells the story of the ineptitudes of people in love. According to Barthes, when one falls in love the beloved becomes a mystery and one will ceaselessly try to figure out the reasons for their mysterious feelings. The desire to express one’s love produces lies and conflicts leading to a dead end. For Lee, those empty phrases reveal the solitude and sorrow of modern people today.
In the works entitled Day and Night, Lee focused on ‘God’ and ‘Love’ as the two main words reflecting her interpretation of Dante’s Divine Comedy where he highlighted the belief that true faith and love would lead you to heaven. Lee produces a cluster of those “divine” words and places them floating over the sea as reproductions or in a heap, demonstrating one’s desire to salvation. Thus Lee’s constructed photographs evoke amorous intensity with a coolness that enables the viewers to find their own way into this world, to have their memories stirred, to consider what it means to be alive in time.