Quinceañera404

ERA404 Turns 15

Originally published in the ERA404 Newsletter on April 4, 2016:

Dear friends, family, and clients,

Happy 4/04! It’s a momentous one, too. Fifteen years ago, I began moonlighting as a freelance graphic designer in New York City, while working a day-job at a now-defunct dot-com. My first gig was designing the CD packaging for a DJ that was a friend of a friend. My payment was a 12-pack of Heineken. I had purchased the domain for ERA404 back in college, after a geeky but whimsical conversation with a group of designers at my summer internship in Grand Rapids. The name is somewhat esoteric these days, but kudos to those who still chuckle at its etymology.

I was strictly a print and identity designer back then, but expanded to environmental design and strategy when the DJ referred me to his colleague who produced events around the five boroughs. The event producer was patient and helped me as I struggled to learn the ropes of the industry and the city. Luckily, New York often rewards the hard-working and passionate. My first big event design, the USS Target, was featured in The Wall Street Journal and afforded me emancipation from the precarious dot-com. Living on COBRA health insurance out of a tiny studio apartment in Harlem, I began amassing clients and pulling more all-nighters than I had during my four years studying Visual Communication at Ferris State University.

Oftentimes, I would hear these clients express disappointment when I told them I didn’t do web design or development. ERA404 was, after all, a programming joke. While FSU offered a New Media program, my love of the halftone dot helped me ignore the seduction of the pixel. My fledgling company suffered because of this shortsightedness and I shared my frustrations with my brother, Mike Citarella, who was then working as a 3D artist for a post-production facility in midtown. Do you remember that kid in your high school that secretly programmed the formulas for calculus equations behind a secret back-door link of a game of hangman on a TI-82 graphing calculator? That was Mike.

Mike offered a simple, elegant solution: Learn how to design interfaces and let me handle the rest. In 2006, Mike joined ERA404 and consequently allowed us to offer our remaining two disciplines: digital and motion. For the last decade, as our Technical Director, Mike has managed our freelance network of programmers, leaving me to the designers.

In celebrating ERA404’s quinceañera, I’m helpless to think about her growth over the last decade and a half. I’m sharing this with you because everyone we’ve worked with or worked for in the past fifteen years has a similar story. Our stories are what make us unique. When we begin a new relationship with a client, it’s their stories that help us create pieces that are both original and personal. In these stories lie the beauty of the design and the ingenuity of the code.

Thank you for sharing the last fifteen years with us and I hope you continue to be part of our story.

Don Citarella
Creative Director
ERA404

Stanley Kubrick’s Underground NYC

In 1946, Stanley Kubrick, then aged only 18, took these photographs of the New York Subway and had them published by LOOK magazine.  He photographed for the magazine from 1945 to 1950.

According to Helen O’Brian, head of LOOK’s photographic department, Kubrick generated the highest number of published articles of any photographer she had worked with. At the time, Kubrick was the youngest photographer LOOK had had on its books.

(via Mashable & Drew)

Subway’s 110th Anniversary

To commemorate the 110th anniversary of the New York subway, the Metropolitan Transportation Authority brought back vintage train cars, giving the public a unique commuting experience.

Two vintage trains were brought back—the “Low-Voltage” train and the “Train of Many Colors”—both of which were used in the 60s until 2001.

(via Flickr)

Carv-a-que: Time Lapse

For the last four years, I’ve been having a pumpkin carving barbecue (appropriately called the “carv-a-que”) at my place in Hoboken. Last year we created a time lapse video of the party. This year we had about 30 carvers and decided to reprise the recording. Below is the result.