10 Shades of Love — An Experiment in Viral Trend-setting

When I was in middle school, one of my classmates bought a braided leather belt about 10 inches too long. The guy was always meticulously dressed so, naturally, I wondered what he was doing. The pendulous accessory hung down his khakis below the pockets and swung as he walked down the hall in a phallic, eye-drawing manner. In retrospect, it was probably a little risqué for tween fashion in the hallowed halls of my midwest alma mater, Portage North Middle School. I’ve never been too fashion-forward, nor interested in following the trends of the day, so I diverted attention from the guy and passed it off as a fashion faux-pas.

Within a week, however, I noticed a few others had adopted the strange, over-sized accouterments. Within a month, there were dozens of other braided belts accessorized over the in-crowd’s fashionable attire.  Then, it caught like wildfire an even teachers and staff were seen following the trend. I found it a little perplexing to watch the style grow in my little microcosm and attributed it to flukish nature of a town secluded from fashion. What I hadn’t realized, however, was that that, in itself, WAS fashion. This is how the world worked. Fluorescent macramé necklaces, rat tails, sillybands, metal-snapping bracelets, waterfall bangs, pegged jeans and  acid-washed jeans ruled the day. And at some point, with each of these trends, someone undoubtedly shared my befuddlement: what was going through their minds when they decided to wear that to school?

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AIGA New York – ERA404 gets a new barker!

Fig. 01: AIGA barker on the ERA404 site

A little while back, Tina Roth-Eisenberg (known far and wide under the blog moniker “SwissMiss”) tweeted about an extra ticket to see the AIGA NY event with Ji Lee speaking about inspiration and the nexxus between gratification from work and gratification from personal projects.  For those that don’t know, Ji is one of a dozen or so creative directors at Google Creative Labs and the father of The Bubble Project.

The ticket, provided by the generous and inimitable Cameron Koczon, of Fictive Kin, opened up a world of creative thinkers, social drinkers and networking opportunities for design and development. We’ve had the honor of working with Ms. Roth-Eisenberg on various projects, including the MoMA staff site and I’ve followed SwissMiss‘s career for a half decade now, as well as the guest speaker and other participants in the event. And while many in the audience appeared to be students or those embarking on new careers, it was refreshing to see so many people passionate about design. Working in the vacuum that is ERA404 can sometimes feel devoid of creative ideas, especially when members of a project are on the other side of the globe.

So, part of this year’s resolution was to create a stronger bond with members of the creative community in NYC and, with four days to spare, we joined the AIGA. The last professional organization I’ve been a part of was back in college (the American Center for Design‘s “Students in Design” and our chapter’s “Design Works” student organization) as well as participating in the Grand Rapids Area Advertising Foundation (GRAAF)’s annual “Addy Awards“, in which a colleague and I won a Citation of Excellence.

It is my secondary hope that, just as being members of NYPHP as brought us design opportunities among the developer network, being a member of the AIGA will bring us development opportunities among the designer network. First and foremost, however, we’re glad to be part of such a prestigious and reputable organization that shares membership with some of my greatest heroes in the design world: Paula Scher, Michael Beirut, Stefan Sagmeister, to name a few.

What are your experiences with the AIGA, or other professional organizations? I’d love to hear your thoughts as well!