While I’m fascinated with the science behind why the internet can’t seem to agree on the color of the dress—posted by swiked to her tumbler on February 25th—I’m more interested in how it affects my job as a graphic designer. Read more
The knock on Facebook is often that it doesn’t have its ad strategy figured out. That might be, but the company courted advertisers pretty much from the get-go.
As captured in “The Social Network,” Facebook’s then-CFO Eduardo Saverin was in New York City right after the launch of TheFacebook, as it was then called, to sell ads. One of those who met with Saverin in April 2004 saved Facebook’s first media kit, which was provided to Digiday.
TheFacebook was a far cry from the global behemoth it is today. Just a bit over two months old, the media kit details its 70,000 users at 20 major colleges. But Facebook’s grand plans are evident in its projections, which include launching in 200 colleges in six months.
Facebook’s original pitch was a bit different than the message it bring to marketers today. For one, Facebook wasn’t urging them to use social ads but instead offered to run IAB standard ad units. Yet Saverin was already emphasizing Facebook’s unique (and personal) data, explaining that marketer’s could target by sexual orientation or even by dorm.
Below is the media kit Saverin was using to pitch potential advertisers that spring, obtained from a New York-based marketer he met with personally. Saverin was asking for ad commitments of around $80,000 for targeted display ad placements that would reach “thousands” of users.DigiDay]
As we all know too well, free doesn’t always mean free. How often have you clicked on a link in emails or from search results only to be brought to a page that informs you that you must enter a credit card or complete a series of obstacles in order to get access to the elusive free product? Television offers for games, such as McDonald’s Monopoly game, always boast the “no purchase necessary” option to play. Gevalia touts a free percolator while also subscribing you to a coffee-o-the-month club for outrageously overpriced java. And dozens of pop-up “Free iPad” sites require you to enlist friends, sign-up for credit cards or buy magazine subscriptions in order to qualify for free products that you probably will never see. In fact, most spam blockers specifically look for the word “free” in the subjects or bodies of emails to elevate the email’s spam ranking simply because they know that free, online, isn’t always free. Free, online, means “free trial,” “free if you enter a credit card,” “free if you complete these tasks,” and “free*“. Read more
Fig. 01: AIGA barker on the era//404 site
A little while back, Tina Roth-Eisenberg (known far and wide under the blog moniker “SwissMiss”) tweeted about an extra ticket to see the AIGA NY event with Ji Lee speaking about inspiration and the nexxus between gratification from work and gratification from personal projects. For those that don’t know, Ji is one of a dozen or so creative directors at Google Creative Labs and the father of The Bubble Project.
The ticket, provided by the generous and inimitable Cameron Koczon, of Fictive Kin, opened up a world of creative thinkers, social drinkers and networking opportunities for design and development. We’ve had the honor of working with Ms. Roth-Eisenberg on various projects, including the MoMA staff site and I’ve followed SwissMiss‘s career for a half decade now, as well as the guest speaker and other participants in the event. And while many in the audience appeared to be students or those embarking on new careers, it was refreshing to see so many people passionate about design. Working in the vacuum that is era//404 can sometimes feel devoid of creative ideas, especially when members of a project are on the other side of the globe.
So, part of this year’s resolution was to create a stronger bond with members of the creative community in NYC and, with four days to spare, we joined the AIGA. The last professional organization I’ve been a part of was back in college (the American Center for Design‘s “Students in Design” and our chapter’s “Design Works” student organization) as well as participating in the Grand Rapids Area Advertising Foundation (GRAAF)’s annual “Addy Awards“, in which a colleague and I won a Citation of Excellence.
It is my secondary hope that, just as being members of NYPHP as brought us design opportunities among the developer network, being a member of the AIGA will bring us development opportunities among the designer network. First and foremost, however, we’re glad to be part of such a prestigious and reputable organization that shares membership with some of my greatest heroes in the design world: Paula Scher, Michael Beirut, Stefan Sagmeister, to name a few.
What are your experiences with the AIGA, or other professional organizations? I’d love to hear your thoughts as well!