Based in New York City, freelance illustrator Jasu Hu has created a trio of endearing concept print ads that feature MUJI products in imaginative scenes.
Adobe’s Project Comet, coming in 2016, promises to let us design and prototype websites and mobile apps with the same tool.
More than just allowing for interactive prototypes—which we’ve done with Invision—it also provides functionality to let us update the design (seamlessly with Photoshop and Illustrator) without losing any changes to the prototype, and touts lightning-fast performance with intuitive layout tools.
Smith: “Working with John on the brief of the artwork, he asked me to include coins, watches, flowers, and ribbons. I had a great start because of his direction and experience in graphic design and knew this would go smoothly. He also has a great eye for detail and design.”
I had the pleasure of attending Noble Desktop‘s training of Adobe Suite CS5 on November 8th, so I can learn a bunch of tricks and tips new to more recent versions of Adobe’s famed suite. The hour-long seminar was led by Noble Desktop’s “Dan” who also maintains their site and occasional freelance gigs. Dan skillfully and quickly walked us through a number of features that have been added to the creative suite for Adobe Illustrator, Adobe InDesign and Adobe PhotoShop. Because I currently don’t have the new suite and I know I will forget these tricks shortly, as well as the fact that the AIGA NY event had limited seating and many [d]online readers aren’t members of the AIGA or reside in NYC, I thought It might be nice to share some of these tips with you here while simultaneously documenting them for my failing memory. Read more
I consistently needed a standard vector scrollbar for the browser in UI/UX mock-ups in Adobe Illustrator as I got tired of creating screenshots and tweaking lengths in Photoshop. If you do, too, grab this zip. It includes the CS4 .AI, .EPS and .PDF version of both the horizontal and vertical scrollbar. You’re welcome. I’m also thinking that someday it might be beneficial to create a vector version of the mouse hand and arrow, though I’m debating whether I should keep the stair-stepping of pixelation at that size, and how best to handle the drop shadows. If anyone has a suggestion, let me know what you think.
Above is the work of British-born graphic designer and illustrator Alexis Marcou. I absolutely love his style, sense of energy and motion, and even the font (original?). I found this on Daily Art Press and there are a number of other renderings worth a moment of your time.