Early New York Times photographs of snowstorms really capture the havoc, misery and peril a blizzard could visit on the city in the late 1800s and early 1900s. The Blizzard of 1888, for example, dumped 21 inches of snow on the city and killed an estimated 200 New Yorkers. But even a garden-variety snowstorm in those days would menace New York’s main form of transit — horses — and impose human suffering of all kinds, while posing the immense logistical challenge of clearing an entire metropolis of snow.
Many walls in NYC are designated for advertisements. The walls have been plastered with wheat-paste and posters are rolled on top, only to be shredded off, re-plastered, re-rolled, and re-shredded, again and again. The resulting collage of color in this accidental artwork is often quite compelling.
For the greater part of two decades, whenever I encountered one I really enjoyed, I snapped a photo. Mostly, I just put these on my Flickr “Textures” gallery, or temporarily use it as the wallpaper on my phone. But recently, I’ve been thinking of printing/framing some of them and hanging them in my apartment or giving them to friends as gifts. What do you think? Leave a comment below or drop me a line if you’re interested.
Originally filmed by the Swedish company, Svenska Biografteatern, on a trip to America, the footage has been speed corrected (slowed down), with sound added by videographer Guy Jones. Read more
In 1979, there were 250 serious crimes reported in the New York subway system – per week. There were six murders in the first two months alone. No other subway in the world was more crime-ridden and infamous.
Hell On Wheels” is a joyous and soulful trip in the bygone era of the New York subway system in the years between 1977-1984. Swiss photographer Willy Spiller, living in New York at the time, documented his underground travels with the curiosity of a foreigner, fascinated by the rush and the madness of its time. It’s the period of the first rap music, graffiti, The Warriors in the cinema, Guardian Angels on the trains and Ed Koch in charge of a broke and crime-riddled city. Willy Spiller’s images are as much a visual document of this incomparable realm as they are a syncopated, colorful poem to the city of New York and its people.
(via Vintage Everyday)
Taken from various locations within Central Park, Paolo Pettigiani’s eye-catching images portray the Big Apple in a new light. Positioning the city’s skyline as emerging from the park’s bright raspberry treescape, Pettigiani explains, “The purpose is to highlight the majesty and the contrast of nature included in the famous Big Apple’s skyscrapers.”
Having graduated in Visual Design and Communication from the Polytechnic University of Turin, the photographer counts his other big passion as snowboarding, and spends his winters as an instructor on the slopes.