Water source, meeting place, architectural wonder: The ancient Indian stepwell – a man-made, subterranean well also known as ‘vav’ or ‘baori’ – has been capturing the imagination of pilgrims and travelers for centuries.
Admired for their astonishing intricate and often symmetric designs as well as their significance in Hindi culture as a sacred place for water collection, bathing and meditation, the earliest stepwells date back to around 550 AD. During medieval times, over 3,000 were built in the northern states of India. Today, however, many these ancient relics have been largely forgotten, and now languish in a state of decay.
Taken from various locations within Central Park, Paolo Pettigiani’s eye-catching images portray the Big Apple in a new light. Positioning the city’s skyline as emerging from the park’s bright raspberry treescape, Pettigiani explains, “The purpose is to highlight the majesty and the contrast of nature included in the famous Big Apple’s skyscrapers.”
Having graduated in Visual Design and Communication from the Polytechnic University of Turin, the photographer counts his other big passion as snowboarding, and spends his winters as an instructor on the slopes.
Sara gave me a bunch of these little glass vials that came with an order of essential oils for her diffuser. I looked at them, bewildered at what could possibly fit inside them. Then I started to think about how living spaces in New York City are so confined and restrictive—particularly green spaces. I then began to wonder if people around the world would like to share in the cramped, concrete existence that we call New York City living.
One of the most beautiful and surprising things about my birthday trip to Montreal was how many murals are around the city. The creativity and craftsmanship that went into each was astonishing. I highly recommend a walk down Saint-Laurent Street to see these works of art in person.
Originally published in the ERA404 Newsletter on April 4, 2016:
Dear friends, family, and clients,
Happy 4/04! It’s a momentous one, too. Fifteen years ago, I began moonlighting as a freelance graphic designer in New York City, while working a day-job at a now-defunct dot-com. My first gig was designing the CD packaging for a DJ that was a friend of a friend. My payment was a 12-pack of Heineken. I had purchased the domain for ERA404 back in college, after a geeky but whimsical conversation with a group of designers at my summer internship in Grand Rapids. The name is somewhat esoteric these days, but kudos to those who still chuckle at its etymology.
I was strictly a print and identity designer back then, but expanded to environmental design and strategy when the DJ referred me to his colleague who produced events around the five boroughs. The event producer was patient and helped me as I struggled to learn the ropes of the industry and the city. Luckily, New York often rewards the hard-working and passionate. My first big event design, the USS Target, was featured in The Wall Street Journal and afforded me emancipation from the precarious dot-com. Living on COBRA health insurance out of a tiny studio apartment in Harlem, I began amassing clients and pulling more all-nighters than I had during my four years studying Visual Communication at Ferris State University.
Oftentimes, I would hear these clients express disappointment when I told them I didn’t do web design or development. ERA404 was, after all, a programming joke. While FSU offered a New Media program, my love of the halftone dot helped me ignore the seduction of the pixel. My fledgling company suffered because of this shortsightedness and I shared my frustrations with my brother, Mike Citarella, who was then working as a 3D artist for a post-production facility in midtown. Do you remember that kid in your high school that secretly programmed the formulas for calculus equations behind a secret back-door link of a game of hangman on a TI-82 graphing calculator? That was Mike.
Mike offered a simple, elegant solution: Learn how to design interfaces and let me handle the rest. In 2006, Mike joined ERA404 and consequently allowed us to offer our remaining two disciplines: digital and motion. For the last decade, as our Technical Director, Mike has managed our freelance network of programmers, leaving me to the designers.
In celebrating ERA404’s quinceañera, I’m helpless to think about her growth over the last decade and a half. I’m sharing this with you because everyone we’ve worked with or worked for in the past fifteen years has a similar story. Our stories are what make us unique. When we begin a new relationship with a client, it’s their stories that help us create pieces that are both original and personal. In these stories lie the beauty of the design and the ingenuity of the code.
Thank you for sharing the last fifteen years with us and I hope you continue to be part of our story.