Bruce Davidson: 1980s NYC Subway Photos

I found these originally on Flavorwire and fell in love with Bruce Davidson‘s collection of photos of NYC Subway photos from the 1980s. They remind me of the gritty, realistic eyes of Melissa Weimer’s Lake. Sky. Vans and Jeanne Moutoussamy-Ashe‘s latest Anthology: Faces, Places, Spaces.  Here’s an excerpt from the original article:

Children hovering by the subway window to the glow of Coney Island’s Wonder Wheel. A man cowering from a pointed gun. A young vandal at work in a tagged subway car. A punk brooding at a station. In the mid-80s, photographer Bruce Davidson captured New York City’s subway commuters in a ground-breaking series first published by Aperture, freezing the subject in powerful, split-second vignettes.

The Illinois-born photographer has described his subjects as “the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks, and closed off from each other.” Decades later, the images seem familiar yet distant, cinematic yet tangible. See flash-frightened women in furs and vigilante crime patrollers in our gallery and look for the third edition of Subway available soon from Aperture.

era404 2011 Creative Reel

My design studio, ERA404 Creative Group, was pleased to launch our 2011 Creative Reel this week. Information about the reel can be found in the supplementary ERA404 newsletter (Season X, Issue II), the Press Release (ERA404: Commemorating10 Years) as well as the [d]online blog post about the rebranding effort.

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The New era404 Stationery Goes to Press

This afternoon, I had the pleasure of taking a press run to PermaGraphics to watch the production of the new era404 stationery. Mike Caloni, the founder of the 13-year-old printing firm, led me on a tour through the facility, starting with the 70-year-old duplicator his mother bought to print wedding paperie at their kitchen table, and ending with the incredible Komori 6-Color press (you can see one in action here). Our business cards are a #130lb Cover, far too thick for the in-house Heidelberg presses. Operators Pete and Frank even let me nit-pick to get the spectrometer below .03 difference between the letterhead and buisness card stock (in fact, they seemed eerily content with my perfectionism).

PermaGraphics obviously has a passion for their craft—an increasingly rare trait in an industry squeezed financially by the eVendors—and provides more than competitive rates for the New York City metro area. I highly recommend the quality and professionalism of their services. And Mike is genuinely a great guy. More photos after the jump.

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