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[d]online Up[d]ates

Two quick things in reference to my new [d]online typeface.

1. American Typographers: According to this site, put together by Luc Devroye, of the School of Computer Science at the esteemed McGill University in Montreal, I’m part of the American Type Scene and featured (less than prominently) on his New York City page:
devroye(by the way, the French example translates to “On the lap of the sorceress”)

2. MyFonts: I’m now listed on myfonts.com:

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Lettercase

lettercase

In light of the creation of [d]online, the font, and my recent post about The League of Moveable Type (to which [d]online was submitted), I did some poking around and found their new Social Font Manager, the Lettercase Application. Apparently, this application will enable like-minded typographers to collaboratively build typefaces. And, to this typophile and amateur typographer, with marginal ligature skills and a lack of patience for kerning, this is wonderful news.

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Flash Video Smoothing

While working on a new project for ERA404, I received a great tip from Zeh, my Flash Obi Wan whom you’ve no doubt read me gushing about in the past. The site (which will be launched at the top of 2010) is centered around a video loop. The loop began as a 208MB raw Quicktime video clip shot by one of ERA404’s video directors/editors, Greg Stadnik (you may remember his work from our Beautiful Children viral video that was featured in Gawker and AdRants last year). The clip was then scaled in 1/2, compressed using the On2 VP6 codec, imported into flash and then manipulated manually.  The final SWF was 3.12MB, but the quality suffered terribly.

This is when Zeh clued me in to video smoothing. It’s the same principle as bitmap smoothing, since embedded video clips are technically just an image sequence. The result was night and day. The left half of the below screenshot shows video smoothing set to true, where the right shows smoothing set to false.

smoothingFigure 1. Video Smoothing – Click image for larger/detailed version

Note that this is just the beginning of this site with the radial gradient and scanlines stripped away to accentuate the smoothing detail. Overall, it’s an easy way to preserve quality without increasing loadtime, memory or processor demand. Give it a try. I’m sure you’ll be as pleasantly surprised as I was by the result.

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myPANTONE for the iPhone

screenshot01

I don’t have an iPhone. And if you know anything about me, you probably know that I would never really want one. I’m on my phone too much as it is and can’t imagine creating a situation where I’d want to be on it more. I’m happy with my HTC TouchPro (though I wish it had a longer battery life) and find 99.9% of the applications that I’ve seen on the iPhone to be worthless; along with the animations, bells & whistles of the phone itself.

However, that said, I really find the myPANTONE app to be incredible. Take a look at this list of features:

Get your color inspiration and create your color scheme from these PANTONE color system libraries:

  • PANTONE MATCHING SYSTEM® (coated, uncoated and matte)
  • PANTONE Goe™ (coated and uncoated)
  • PANTONE Pastels (coated and uncoated)
  • PANTONE FASHION + HOME (paper and cotton)
  • Includes sRGB, HTML and L*a*b* for all colors

You can capture and extract colors from photos and snap to the closest PANTONE Color:

  • Images loaded on your iPhone
  • Directly from images taken by your iPhone camera

Automatically generates harmonious color combinations

Cross-reference PANTONE colors to other PANTONE color libraries

Once you have created your color palettes you can then share them in a variety of ways:

  • E-mail an HTML image of your palette
  • E-mail color palettes that can be used in the Adobe® Creative Suite® (.ase files), QuarkXPress® and CorelDraw®
  • Upload to the myPANTONE.com palette sharing web site

Other features include:

  • Text and voice annotation of palettes
  • Post notifications of new palettes to Twitter and Facebook
  • GPS tagging of palettes

There’s a video tour by Glenn Fleischman on YouTube and Pantone.com. And I imagine each new version will allow designers to perform more useful and intuitive tasks. And I’m not just saying this because we built the Facebook app, either.

The only other application that I would consider to be as helpful, if my meager testing of it proved it even worked, would be the What The Font app by MyFonts.com. I don’t know if it’s the iPhone’s crappy camera or the application’s poor calibration—the application on their site also seems lacking as of late—but I couldn’t get it to suggest fonts even mildly similar to the one I was seeking.