This weekend, I picked up the new HTC Evo 4G, which has been sold out of Sprint stores for the last month. And while I’ve only performed a cursory evaluation of the OS, I’m worlds happier than I was with Windows Mobile 6.1. The operating system isn’t new to me, however, as I spent nearly a day-long barbecue stealing Itay‘s Nexxus One and spent the last year looking over Zeh‘s shoulder as he fiddled with his MyTouch. Needless to say, I liked what I saw. My geekiest of friends had given Android 2.2 two international thumbs up, so my purchase was clear.
Rants
Attention CVS Pharmacy
Please learn the difference between the Caduceus and the Rod of Asclepius. Thank you.
This is my second biggest pet peeve behind people misspelling “stationery” in reference to the printed business system.
Overdue Casualties of the Recession
Over the last year, a lot of the way we promote ourselves has changed. The latest casualty in this transition is Creative Hotlist, a paid service provided by Communication Arts.
As you probably remember from previous posts, I’ve whittled my periodical subscriptions from six down to two: HOW and Step Inside Design. Other than the recession itself, there are numerous reasons for this decision. Ultimately the choice was made based on one simple word: value. Read more
It’s like twitter. Except we charge people for it.
In light of Jacob Cass’s wonderful article on “Why logo design does not cost $5.00” and the viral video on “The Vendor-Client Relationship – in Real-world Situations”, Fischstix forwarded me this lovely exchange between Australian author and freelance designer and a former Ogilvy business developer turned entrepreneur. The only reason I laugh is because I’ve been in this situation all too often and laughing hides the anger.
Beatlemania v2.0
Photo Credit: The Beatles Quake #9. My recommendation for the next Beatles Video Game.
I used to like The Beatles. I mean, I never loved them. My first direct encounter with them was a high school friend, Sean, singing their praises every chance he got, replying to my dismissals of repetitive, dated, jingle-sounding ditties with “then why are they the best selling band of all time?” exclamations.
Most of their songs (“Paperback Writer”, “Blackbird”, the entire “Sergeant Pepper…” album, etc.) I hate with a passion. However, over the last decade — since Sean’s proselytizing — I’d grown to tolerate a handful of their songs and actually like a few (David Cook’s rendition of “Eleanor Rigby“, Alanis Morrisette’s live “Dear Prudence“).
This is no more. The recent death of Michael Jackson (and the sale of his rights to their music), the recent concerts by Sir Paul McCartney, the sale of “The Beatles’ Remastered” collection, the release of The Beatles’ Rockband and the “Mono” boxset (the 13 CD set that is currently/still out-of-stock at Amazon.com) have put the final nail in the coffin of my Beatles tolerance. The guise has been lifted and whatever respect I had for the remaining members as people and artists is no longer. The over-saturation has presented their canon as a corporate money-making machine and, worse, exposed how formulaic and near-identical their songs actually are. I’ve joined the ranks of Starbucks boycotters, but may be the only disgruntled ex-customer to do so ONLY because I cannot stand their endless repeating of Beatles songs (I happen to believe them when they say they’re fair trade, good to employees, and provide a service different from local non-franchised cafés). Last Saturday, my penultimate visit to the caffeine behemoth, I left after 45 minutes; enough time to hear “We Can Work it Out” three times. I walked in yesterday, temporarily forgetting my moratorium on patronage, was rudely re-awakened with the unsettling harmony of the walrus, and promptly exited before I could hear one “coo-coo cachoo”.
I vaguely remember this feeling bubbling over with the release of The Beatles “1” (One) album during my high school years but have never felt such execration toward them as artists, only against their team of marketers and publicists. And this whole situation which, besides making me physicially nauseated by their music, has created two new truths for me:
1. If you throw enough money to promote something (boxsets, collections, video games, whatever), people will unwittingly be tricked into not only BUYING something, but believing they actually like it.
2. There is no longer any direct correlation between album (or book, or movie, or whatever) sales and talent/quality products, only marketing dollars. Yes, I realize this is the same decree that conservatives shouted from the rooftops about the 2008 presidential campaign. No, I do not believe it applies.
So thanks go to you: Sir Paul McCartney, Harmonix Music Systems, EA Distribution, MTV Games, Amazon.com, 104.3 FM, Starbucks, EMI and the partially rotting, mostly unbiodegradable corpse of Michael Jackson.Thank you for proving my instinctive reaction to The Beatles back in high school when I first told Sean they were crap. I firmly know now the answer to his question: millions and millions of marketing dollars.
Apple gives up…sorta
Over a year ago, I posted about ZDNet’s 10 Most Annoying Programs on the Internet, where Apple was ranked #2, forcing users to install Quicktime with each upgrade of iTunes and also pre-selecting that the user wanted to install Safari and Mobile.me onto their computers as well. I’m a strategic marketer, so I understand the logic behind it. More than half of the users probably just click “Continue” without reading what they’re installing. It’s the same guiding principle behind bundling installers with Yahoo! and Google browser toolbars. Read more
Goodbye Carrot. Goodbye Stick.
Bidding adieu to his last “real job” as Al Gore’s speechwriter, Dan Pink went freelance to spark a right-brain revolution in the career marketplace. In this TED TALKS lecture, he examines the puzzle of motivation, starting with a fact that social scientists know but most managers don’t: Traditional rewards aren’t always as effective as we think. Listen for illuminating stories — and maybe, a way forward.